Saw this when it came out and I couldn’t stop smiling. If you watch the full video you notice how quickly she spouts off these things, how rapid fire each question is and you can tell each word is like a machine gun bullet to the guy’s head. And you know what?
That’s how we feel.
Urgent - Please Spotlight:
I regret to tell you that Christina Fonthes - a dear friend and organiser of Rainbow Noir has been held against her will in The Congo - she was on a family holiday with her mother who has decided to have Christina ‘cured’ of her sexuality.
Christina has managed to escape from her aunt’s house and is currently hiding out with a friend. She has access to internet and has been communicating with us via email. The next available flight is 2nd September - 5 days away! Chris needs help and protection from the British Embassy in Congo but her mother has reported her missing and therefore we need to get in contact with both the UK Home Office and UK embassy in Congo to let them know that she is in danger and that her mother is lying/the one endangering her life!!
PLEASE SHARE THIS ON ALL YOUR NETWORKS. CALL, EMAIL, TWEET the British embassy on behalf of Christina - the more we call, the more attention it will bring to her case and hopefully they will act quicker in getting Christina to a safe place.
HER MOTHER HAS HER PASSPORT AND TRAVELING DOCUMENTS!
CHRISTINA’S LIFE IS IN DANGER. PLEASE DO AS MUCH AS YOU CAN.
If you can help please contact @RainbowNoirMCR or @WritersofColour on twitter.
UK EMBASSY: 0871 050 5840
DETAILS OF THE EMBASSY IN CONGO ARE HEREhttps://www.gov.uk/government/world/organisations/british-embassy-kinshasa
Please re-tumblr this. This is an actual friend of ours and we need your help to get her home safe.
Doing this starting today. Please, if you #follow me, find this in the ‘explore’ because of the #tags and like it. #Read the #picture to. I’ll be doing this #selfharm #jar as said #above. And I don’t #mind if you do or do not reply. But just be warned I will most #likely #message #you and remember I’m always here of you need #help, also always #smile it’s the best #makeup a girl can #wear c: #luv #you #guys #cats #meow #personal #please #like #follow #anything #wildonea
For some reason, I feel like being really mean to rebeccakardashian and trashprincessss
The theaters of the future will be bigger and more beautiful than ever before. They will employ expensive presentation formats that cannot be accessed or reproduced in the home (such as, ironically, film prints). And they will still enjoy exclusivity, as studios relearn the tremendous economic value of the staggered release of their products.
The projects that most obviously lend themselves to such distinctions are spectacles. But if history is any guide, all genres, all budgets will follow. Because the cinema of the future will depend not just on grander presentation, but on the emergence of filmmakers inventive enough to command the focused attention of a crowd for hours.
These new voices will emerge just as we despair that there is nothing left to be discovered. As in the early ’90s, when years of bad multiplexing had soured the public on movies, and a young director named Quentin Tarantino ripped through theaters with a profound sense of cinema’s past and an instinct for reclaiming cinema’s rightful place at the head of popular culture.
Never before has a system so willingly embraced the radical teardown of its own formal standards. But no standards means no rules. Whether photochemical or video-based, a film can now look or sound like anything.
It’s unthinkable that extraordinary new work won’t emerge from such an open structure. That’s the part I can’t wait for.